Showing posts with label museums. Show all posts
Showing posts with label museums. Show all posts

Tuesday, September 30, 2014

Growing a historic site: The Oliver H. Kelley Farm

Farm fields at the Oliver H. Kelley Farm in Elk River, Minnesota
Jill Lepore has spoken about what she terms "cuspiness"--the feeling of being on the edge of big changes.  I often have that sense when I look at what's happening in the realm of food and farming interpretation in the museum and public history realm, and it's been confirmed by encounter with many people in those fields who are reaching toward a much more consequential and socially-engaged way of connecting audiences with big questions relating to food. 

Michelle Moon and I were once again struck by this at a workshop we led at the American Association for State and Local History conference in Minnesota last week, and it struck me even more on a tour I took as part of the conference, to the Oliver H. Kelley Farm in Elk River, Minnesota.

Tuesday, February 19, 2013

Lisa Junkin - A question of the stomach: A museum contemplates its role within a movement

“It is a part of the new philanthropy to recognize that the social question is largely a question of the stomach.” – Jane Addams 

Five years ago, the Slow Food Movement was new to myself and my colleagues at the Jane Addams Hull-House Museum. We considered ourselves to be urban foodies in our own rights, but we were just catching wind of a broad movement that would soon sweep the nation and transform our museum. We wanted a place at the table, but we did not yet know where we belonged.

We read Carlo Petrini, Alice Waters, Raj Patel, Michael Pollan. We spoke with farmers, activists, chefs, economists, doctors and historians. We learned that while the Slow Food Movement has radical roots, in the United States it has been characterized by activists as elitist. Opponents argue that a movement dedicated to food shouldn’t be concerned with the pleasures of fine foods and preserving the "slow" traditions of the past, but rather should be committed to advocating for food justice and a better future for all.

Referring to The Jungle, a book that set off a food movement of its own, Upton Sinclair wrote: “I aimed at the public’s heart and by accident I hit it in the stomach.” For the last five years, the Hull-House has aimed squarely at our audiences’ stomachs, developing a suite of food projects that includes a modern day soup kitchen, an urban farm, an artisan jam operation, an heirloom seed library, and an exhibit called 21st Century Home Economics. As a result of this work, we offer two responses to the divisions within the Slow Food Movement. The first has little to do with public history but everything to do with movement building, and that is that pleasure is not at odds with social justice. Alice Waters refers to the slow food movement as a delicious revolution, arguing that when pleasure and community-building are prioritized, ecologically and socially responsible systems will follow. This framework has transformed our understanding of what activism looks like. A hot bowl of soup, organic and made with care, serves as a reminder that we are fighting for all people to be nourished in body, mind and spirit. There is pleasure in justice, and in the ongoing struggle we do well to remember that medicine goes down easier with a spoon of honey.

Our second response has everything to do with public history, which is, the past is not at odds with the future. At Hull-House, our foray into the food movement is lens for investigating issues of social justice, past and present. Many of our food related programs reflect the fierce urgency of now, but they are grounded by a site-specific historical context that inspires and shapes our participation in the larger movement. (For an in-depth examination of how Hull-House’s food programs relate to our site’s history, see article by former director Lisa Yun Lee: “Hungry for Peace: Jane Addams and the Hull-House Museum’s Contemporary Struggle for Food Justice.”)

To be honest, we didn’t know much about how Hull-House residents engaged with food when we started this work. But as we learned more about the food movement, we began to ask new questions of the past. Who cooked at Hull-House? Where did immigrants purchase their food? Were there community gardens in the 1890s? What solutions to food insecurity were devised 100 years ago? Not surprisingly, our research yielded a bounty: the Progressive Era residents at Hull-House helped create the field of Home Economics and engaged in research on nutrition. They advocated to collectivize housework, to “light one fire instead of many.” They created a public kitchen that served affordable food to families, factory workers, and school children. They created the first pasteurized milk station in Chicago, helping to end a public health crisis that claimed the lives of hundreds of infants. And they formed urban farms alongside their immigrant neighbors in order to nourish and sustain their community.

When we examined our site’s history around food, suddenly the past no longer felt distant, nor did the movement feel quite as fraught. This historical content became the foundation of our food programming and contributes significantly our conversation on contemporary issues. For example, at a program about rapidly increasing desires for raw milk, small batch ice cream and other artisan-made foods, Hull-House staff offered insight about why Settlement residents advocated for the regulatory agencies that many foodies today reject as authorities on what foods are safe and edible. During a conversation about so-called food deserts-- neighborhoods lacking food security--we grappled with how the Hull-House Diet Kitchen failed due to the residents’ lack of knowledge and sensitivity about immigrants’ palates and inflexible notions of nutrition.

We now understand the museum’s role as such: to bring together doctors, farmers, chefs, students, economists, and artists in share meals and discuss the food movement today, and to share a broad historical narrative that offers critical insight and inspiration. Five years after we began our love affair with food and justice, we have found our place within the movement. It is in the dining room, on the farm, inside the archive and out in the streets.

- Lisa Junkin, Interim Director, Jane Addams Hull-House Museum

Photographs: Re-thinking Soup in the Residents’ Dining Hall, 2008; The Urban Heirloom Farm at the Hull-House Museum, 2011; Canning Labels, 2011; Seed Starting Workshop, 2012.

Saturday, February 2, 2013

Briann Greenfield: What row to hoe?

The author picking spinach in February.

What role should a state museum, like the Connecticut Historical Society (CHS), play in preserving and interpreting the history of agriculture and food? How can such an organization tell the history in a way that fits its specific mission, institutional strengths and priorities? I ask these questions from a several perspectives. I am a Professor of History and Public History Program Coordinator at Central Connecticut State University where I teach courses in museum studies and material culture that regularly use the museum’s collection. I am also a member of CHS’s Collections Steering Committee and Deaccession Task Force, two groups charged with enhancing the collection’s strength, relevance, and overall quality. Finally, I’m interested on a very personal level as someone deeply involved in the local food movement as a 4- season gardener on my own city lot and a regular volunteer at Urban Oaks Organic Farm, a 12-year old farm in an urban food desert. These perspectives make me see both the potential for agriculture and food history, but also make me cautious about committing limited resources to its pursuit.

Wednesday, January 2, 2013

A New Year's Toast: Let Us Begin

Greetings all, and thanks to Cathy, our host at History at the Table. I'm delighted to be the first guest blogger in our discussion of public history and the local food movement, which will of course culminate in our Working Group meeting at the NCPH 2013 meeting in April. This will be the first of many posts on this intersection in coming weeks, as each member of the Working Group takes a turn offering insights and questions. Knowing that the conversation to follow will be lively and provocative, I raise a metaphorical glass to all present and say "Let us begin."

I'll be speaking from personal experience first, describing how my work at one museum led me into the local food movement, and then making the case more generally for a strategic re-evaluation of food interpretation in museums.

How One Museum Got Slower

In 2004 I became education director at a historic site and museum called Strawbery Banke,  a preserved urban neighborhood in Portsmouth, NH. Its more than 20 restored houses (with associated period landscapes) feature a mix of traditional interpretive strategies - first person roleplaying, didactic displays, period rooms, guided programs. 

Like many such sites, we faced the challenge of maintaining audience attendance in a time of widespread decline. With tongue only partly in cheek, Cary Carson, chief researcher at the Colonial Williamsburg Foundation, predicted "the end of history museums" in 2008, noting that attendance has been sinking for three straight decades . Reach Advisers found that history museums,
compared with 7 other museum genres, ranked lowest in popularity with all demographic groups. Only 31% of family museum visitors even venture to historic sites.

What could we do to forge new connections with potential participants? We didn't have to look far for inspiration. The local food movement was blossoming around us.

Sunday, April 15, 2012

In search of the multivocal conference panel

I'm getting ready for my annual pilgrimage to the National Council on Public History conference in a couple of days, and this reminds me that I've been meaning to write a post about another recent conference I participated in, the New England regional meeting of the Association for Living History, Farm and Agricultural Museums (ALFHAM), which was held in Bristol, Rhode Island early last month.

The usual goal with a conference panel is to create something that fits together cohesively--a set of complementary papers or presentations, often capped off with some unifying comments by a discussant. In practice, what this often means is that panels get put together by fairly similar people who approach things in a fairly similar way. Over the years, I can count on the fingers of one hand the number of conference panels I've been to that successfully brought together different kinds of voices within the same framework--for example, scholars and labor organizers, or literary and academic writers. That more "multivocal" kind of panel--which doesn't always work neatly but which has the potential to "break the frame" of more inward-looking combinations of people and ideas--was what my co-organizer and I were after with our offering at ALFHAM.

ALFHAM, founded in 1970 to coordinate efforts and education within the then-new living history movement, is an obvious starting-place for anyone who's interested in the nexus of farming and historic sites. I'd been vaguely planning to try to connect in some way with people involved in the organization, and found the impetus I'd been looking for when Michelle Moon, Assistant Director of Education for Adult Programs at the Peabody Essex Museum in Salem, Mass., got in touch with me after hearing me speak at a conference at Plimoth Plantation in the fall. Michelle is active in the Slow Food movement and has worked to link her museum work with food activism at the Peabody Essex, Strawbery Banke Museum in New Hampshire, and elsewhere. Like me, she's been looking for ways to make the food/history link more explicit and to make a case for the importance of historic preservation and interpretation in creating broader, more informed and critical public analyses of food systems and all that connect to them.

The c.1840 barn located at Waters Farm, Sutton, Mass.
So Michelle and I put together a panel for the regional ALFHAM conference, aiming for a very specific mix of scholarship, case studies, and practical advice.  We enlisted a couple of people involved in food and farming at historic sites in the Blackstone River Valley National Heritage Corridor in southeastern Mass. and northern Rhode Island:  Pat Nedoroscik, vice-president of Waters Farm Preservation Inc. the non profit organization charged with the operation of the 120 acre Waters Farm property in Sutton, Mass., and Lisa Mosczynski, who runs a seasonal farmers market at the E.N. Jenckes Store Museum in Douglas, Mass.  Yours truly supplied some scholarly/historical context for the emerging reconnection between "enclaved" historic sites and present-day working agriculture, Michelle talked about her rationale for emphasizing food and farming in many of the public programs she's organized, Pat gave us an overview of the family and farming history of Waters Farm, and Lisa got into the nitty-gritty of running a farmers market (including challenging us to name the most problematic product that farmers bring to sell*).

These were four quite different approaches, but it was heartening to see how well they all fit together, and how the discussion that followed ranged from considering big historical questions to thinking about the practicalities of promoting locally-sourced food.  I was really happy to see scholarship as just one piece of a broader conversation, rather than a privileged or separate discussion.  Michelle's examples gave me hope that imaginative public history practitioners at museum sites can really take this local-food phenomenon and run with it, Pat's story of the Waters family confirmed the long history of community concern in New England with preserving agricultural land, and Lisa's account of dealing with boards of health and other issues provided an important corrective to more utopian or abstract dreams of how we might reinvent a more local or regional food system.  The discussion wasn't conclusive or tidy, but despite that, or maybe because of that, it felt very productive (in addition to inspiring me to want to visit these historic sites sometime soon).

Any similar experiences with multivocal conference panels? 

*And any ideas what the most challenging farmers market product might be?  Post them below!